It’s 10:15pm here in Pragelato, Italy, which is a little bit later than I wanted to start writing, but I took a 1.5 hour nap this afternoon, which should give me a little extra time. Just as the last few days, tomorrow the bus leaves at 6:45am. Monday, should be our day off, and I’m still hoping to go skiing, perhaps in the French town of Claviere, which is only a half hour away. Roger, one of the friendly British chaps was originally organizing our ski trip, but he got moved to Torino, and I think it’s up to me to figure things out. Fortunately there are several Italian students, and even a French guy who want to go, so I think everything will work out.
I am sorry for the lack of content in my last entry, I had forgotten that there was so much I wanted to cover, but only mentioned in passing to a few people. I imagine the most enticing story is that of the snowmobile theft. Of course, the description of the story gives most of it away, but here goes…
Olympic Malevolence, Pt. 1
Grand Theft Ski-doo
My cameraman boss, Jari is an upstanding Finnish citizen and a decent guy; he has a wife, two kids, one of whom will be getting a plastic Millennium Falcon as a gift upon Jari’s return. Normally Jari is a handheld operator at the start and finish lines, but for two races he operates a fixed-position camera further along the trail. After the races, the camera has to move to another fixed position. This requires a snowmobile, something which TOBO never seems to have enough of.
The course is 15km long, so there are times when it takes a long time to find a snowmobile and driver who can move a camera. However, there always seem to be a few extra snowmobiles hanging out behind the Mixed Zone (you may remember this from my photos). The events which are about to unfold take place on the day before the first official competition, which means that many athletes are practicing on the course.
Jari and I were waiting at the finish line for a snowmobile, but it seemed that none were going to be available for a long time. Because we were in a hurry (lunch was served in only ten minutes), we decided that desperate measures must be taken. We asked the snowmobile security volunteer if we could borrow one of the unused snowmobiles to move a camera. Like a good security worker, she told us that only official snowmobile drivers could use the snowmobiles, because there were many prohibited areas, due to the athletes practicing. Lunchtime grew closer, and we knew that the camera must be moved before the inevitable lukewarm pasta was placed on the serving lines. Ingenuity struck, and in an instant, we found a small chink in the snowmobile security procedures. Namely, that the keys for snowmobiles were left in the ignition.
We jumped aboard the nearest snowmobile, and after two dozen key turns, and quite a few helpful words from bystanders discussing the reliability and efficacy of Japanese-made snow machinery, we made a stealthy and speedy getaway. Swerving through athletes and more security volunteers, we made our way to the camera, and successfully moved it to its new location, arriving back to the compound just in time for the lukewarm pasta to turn room temperature.
Olympic Malevolence, Pt. 2
Assaulting a police officer
As you now know, Jari’s role is on the field of play in the stadium, and this makes him the handheld camera that walks with the medal giver-outers and the athletes as they parade from the Mixed Zone out to the medals platform. This means that he has to walk backwards with the procession for about 50 meters, dodging photographers, course markers and carabinieri, or Italian cops. The carabinieri easily outnumber the photographers, and probably the spectators and the number of bacteria currently on your mouse.
Due to heightened terror concerns, the International Olympic Committee has opted for a new preventative tactic of hiring so many police that the terrorists, athletes, spectators and broadcasters can’t squeeze through the crowds of police milling about. Anyway, during the medals ceremonies, I walk behind Jari as he walks backwards, to keep him from tripping over things.
In one particular ceremony, Jari was walking backwards with the procession directly toward a carabinieri, who was carefully executing security procedure 4.2.7, Aimless Wandering While Holding a Digital Camera. Because Jari’s camera is the live camera, I don’t really have time to fake an Italian phrase. Suddenly every bit of stress that resulted from blue flashing lights in my mirror was turned into adrenaline, and I realized that it was my duty to the Olympic games to shove the police officer to safety and away from Jari’s path.
It’s not every day that you get to save the Olympics by shoving a police officer and then exaggerate it afterwards on a web site.
Misc. Stats
Those are the two main stories that I had forgotten to write about here. My friend Sam asked some great questions about the Olympics, some that I hadn’t even thought about, so I’ll try to answer a few of them here in short form.
Altitude
According to my GPS, we’re at 4,841 feet at our “temporary housing” (hotel). I think the venue is probably a little bit higher, but probably only up to 5,000 feet. Both the hotel and venue are in valleys, the downhill skiing venues are quite a bit higher. While it’s not actually as high as I thought it might be, I still get out of breath after walking up the three stories to my room. Sidenote: in Italy, (maybe all of Europe) the first floor is actually what we would call the second floor in the US. The ground floor is floor 0, and I’ve seen some basements labeled -1.
Cameras
There are about 40 cameras at our venue, which I think is actually higher than the average. Remember that there are some routes that give 15km laps, and you’ll understand the need. There are at least four cranes/jibs and two cameras mounted on Steadicams attached to special snowmobiles.
A quick sidenote on the snowmobiles. We have a special crew of three Norwegians who drive and maintain the snowmobiles, which are specially designed to be quiet at all speeds, because the microphones are still used on the cameras. The Norwegian crew is very friendly, and they look like they would be completely at home at a NASCAR race. They have their own snowmobile company in Norway.
While there are 41 cameras, we actually have a lot more possible camera positions, which means that there are many times we are repositioning the cameras in between races. Camera 27 may be in position 27A during the 15km Nordic combined and then move to position 27C for the 4×5km relay. This makes sense, although it gets frustrating to move gigantic cameras across a venue and up a 30 foot scaffold, just for one day.
Most operators don’t have assistants, a few of the jib/crane operators do, and there are a few tripods mounted on little sleds. The sled cameras have assistants who help to pull the sled to reposition the camera in the middle of the race. During the races, there are more assistants than necessary, which leaves a few standing around, desperate for the smallest job. Once the race is over, there is plenty to do if the cameras need repositioned.
One last, even nerdier note on cameras. The wireless system that is in place here is pretty amazing. The signal received from the camera is indistinguishable from a wired system, and it’s a two-way signal, something new for wireless cameras. A quick briefing on how broadcast cameras work: back in the truck, there is a team of several “shaders” or “vision operators” that control the exposure and color levels from each camera. In our venue, each shader has six or seven cameras that they are responsible for. It frees the camera operators from worrying about exposure and other details, but more importantly it keeps things consistent from camera to camera.
Anyway, the wireless system here is special in that it allows the handheld cameras to have the same level of remote control as a fixed camera. White balance, exposure and gain are controlled from the truck. Additionally, the wireless carries a tally light signal, which tells the operator when his or her camera is live.
Fin
I had hoped to talk about security and some of the other things that Sam asked about, but it’s getting pretty late here, so I’ll have to write on that some other time. And remind me to write about Bruce, the new, obnoxious shader from Long Island who reinforces every negative stereotype of America. I appreciate all of your prayers and the e-mails from home, and I’ll see a lot of you in eleven days. Arrivederci!